🕌 Mosque
Mosquée Hassan II
مسجد حسن II
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🕌 Sunni
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About
Across the river Bou Regreg from the royal capital of Rabat lies the old port city of Sale, a place of privateers, scholars, and builders whose narrow medina still hums with the chatter of carpenters, weavers, and Quran students. It is in this atmosphere of living heritage that the Mosquée Hassan II was raised, named in honour of the late King Hassan II of Morocco, a ruler remembered for his extensive patronage of religious architecture throughout the kingdom. Located within the Rabat Sale Zemmour Zaer region, the mosque carries forward a lineage of Andalusian and Maghrebi design that Moroccan craftsmen have refined over a thousand years.
Visitors approach along a broad plaza paved in pale stone, where the facade rises in horseshoe arches of carved cedar, framed by bands of zellige mosaic in emerald, cobalt, and saffron. The minaret, square in the North African tradition that descends from the great Koutoubia of Marrakech, climbs skyward in tiers of geometric fretwork and finishes in four golden orbs arranged one above the other. Inside, slender columns of marble support a ceiling of painted cedar, the kind of work that takes a master artisan many months to complete by hand. Green and white tiles lead the eye toward a niched mihrab, above which calligraphers have inscribed the opening verses of Surat Al Fatihah.
Sale has long been a city of reciters and memorisers, and the mosque hosts circles each evening where children work patiently through the Warsh recitation favoured across the western lands of the ummah. On Fridays, the khatib often reflects on the example of the Prophet Muhammad, peace and blessings be upon him and his family, and reminds the gathering of the generosity of Aisha, may God be pleased with her, whose teachings reached every corner of the Muslim world. During Ramadan the courtyard fills with tables for iftar, where harira soup, dates, and sweet pastries called chebakia are shared freely with travellers and neighbours. The ablution block is spacious and tiled throughout, and a small room beside the main hall welcomes women worshippers with its own entrance and mihrab.
Visitors approach along a broad plaza paved in pale stone, where the facade rises in horseshoe arches of carved cedar, framed by bands of zellige mosaic in emerald, cobalt, and saffron. The minaret, square in the North African tradition that descends from the great Koutoubia of Marrakech, climbs skyward in tiers of geometric fretwork and finishes in four golden orbs arranged one above the other. Inside, slender columns of marble support a ceiling of painted cedar, the kind of work that takes a master artisan many months to complete by hand. Green and white tiles lead the eye toward a niched mihrab, above which calligraphers have inscribed the opening verses of Surat Al Fatihah.
Sale has long been a city of reciters and memorisers, and the mosque hosts circles each evening where children work patiently through the Warsh recitation favoured across the western lands of the ummah. On Fridays, the khatib often reflects on the example of the Prophet Muhammad, peace and blessings be upon him and his family, and reminds the gathering of the generosity of Aisha, may God be pleased with her, whose teachings reached every corner of the Muslim world. During Ramadan the courtyard fills with tables for iftar, where harira soup, dates, and sweet pastries called chebakia are shared freely with travellers and neighbours. The ablution block is spacious and tiled throughout, and a small room beside the main hall welcomes women worshippers with its own entrance and mihrab.
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